The effects of tectonic processes on archaeological sites are evidenced by earthquake damage, volcanic eruptions, and tsunami destruction. However, these processes affect a far broader sphere of landform structures, environment, and even climate that envelops an archaeological site and triggers human behavioural activities.
From the 1790s until World War I, Western museums filled their shelves with art and antiquities from around the world. These objects are now widely regarded as stolen from their countries of origin and demands for their repatriation grow louder by the day. In The Compensations of Plunder, Justin M. Jacobs brings to light the historical context of the exodus of cultural treasures from northwestern China.
Cattle (Bos taurus), domesticated from the extinct aurochs (Bos primigenius), has been an important animal to many human societies since prehistoric times. Cattle provides not only meat for subsistence, but also hide, blood, dung, milk and traction that contribute to the organization of human beliefs, cultural attitudes and social complexity. This book provides the widest range of cattle bone biometrical information from the Early Neolithic period to the Early Bronze Age (10000 to 3600 years ago) and investigates the morphological variation of this animal from a biological point of view: the main indicator for tracing domestication. The results suggest that cattle in ancient China was imported from the Near East around 4,300 years ago and made their first appearance in the Yellow River Valley. Once they had arrived in central China, these small-sized domesticated cattle soon spread and was exploited intensively from then on.
The sixth century saw a major transformation of ceramic technology. It initiated an era characterised by porcelain and polychrome decoration that overturned the earlier pattern of earthenware and stoneware production that had been used for thousands of years. However, the process of this dramatic transformation has been unclear. The Origin of White Porcelain focuses on the typo-chronology of three major categories of glazed ceramics recognised with in-situ pXRF analysis of items discovered from sixth-century burials in north China.
Edited by Elizabeth Childs-Johnson
The Oxford Handbook on Early China brings 30 scholars together to cover early China from the Neolithic through Warring States periods (ca 5000-500BCE). The study is chronological and incorporates a multidisciplinary approach, covering topics from archaeology, anthropology, art history, architecture, music, and metallurgy, to literature, religion, paleography, cosmology, religion, prehistory, and history.
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The Social Lives of Chinese Objects is the first anthology of texts to apply Arjun Appadurai’s well-known argument on the social life of things to the discussion of artefacts made in China. The essays in this book look at objects as “things-in-motion,” a status that brings attention to the history of transmissions ensuing after the time and conditions of their production. How does the identity of an object change as a consequence of geographical relocation and/ or temporal transference?
This archaeological and art-historical study is woven around rock art and ancient metallic articles attributed to Tibet. The silver bowls, gold finial, and copper alloy spouted jars and trapezoidal plaques featured are assigned to the Iron Age and Protohistoric period. These rare objects are adorned with zoomorphic subjects mimicking those found in rock art and embody an artistic zeitgeist widely diffused in Central Eurasia in Late Prehistory. Diverse sources of inspiration and technological capability are revealed in these objects and rock art, shedding light on their transcultural dimension. The archaeological and aesthetic materials in this work prefigure the Tibetan cosmopolitanism of early historic times promoted through the spread of Buddhist ideas, art and craft from abroad. The metallic articles and petroglyphs of this study are markers of relationships between Tibet and her neighbours. These transactions enabled a fusion of Tibetan innovation and foreign inventiveness, a synthesis of disparate ideas, aesthetics and technologies in the objects and rock art presented.
-- Chinese archaeologists announced Saturday that some new major discoveries have been made at the legendary Sanxingdui Ruins site in southwest China, helping shed light on the unified, diverse origin of the Chinese civilization.
Walter Benjamin observed that it is precisely the modern which conjures up prehistory.