News tags

Over 40,000 lethal bronze weapons were discovered with thousands of terracotta warriors in the tomb complex of the Qin First Emperor (259-210 BC). This book carries out the first systematic and comprehensive study on these weapons to investigate the mass production and labour organisation in early imperial China.  The research draws upon extensive measurements, typological analysis and related statistical treatment, as well as a study of the spatial distribution of the bronze weapons. A combination of metrical and spatial data is used to assess the degree of standardisation of the weapons’ production, and to evaluate the spatial patterns in the array of the Terracotta Army. This provides further information about the labour organisation behind the production, transportation and placement of weapons as they were moved from the workshop and/or arsenal to the funeral pits. Integrating these insights with inscriptions, tool marks, and chemical analysis, this book fills a gap in the study of mass production, the behaviour of craftspeople, and related imperial logistical organisation in the Qin Dynasty (221-206 BC), marking the most crucial early stage in Chinese political unification.

https://www.barpublishing.com/bronze-weapons-of-the-qin-terracotta-warriors.html

Author: Susanne Reichert

Abstract

Author: John Vincent Bellezza 

Synopsis 

Drawn and Written in Stone explores the religious history of the highest part of the Tibetan Plateau through its rock art and inscriptions. It is focused on facsimiles of ritual and ceremonial monuments carved and painted on stone surfaces and rock inscriptions in the Tibetan language, vital archaeological and historical materials for appraising the development of religion in Tibet, ca. 100 BCE to 1400 CE. By probing the complexion of figures and letters in stone, this work considers how early cult traditions contributed to the establishment of Tibetan Buddhism and a rival faith known as Yungdrung Bon. Outside of the Indian cultural context, relatively little has been written about the historical antecedents of these popular Tibetan religions for a want of sources. This monograph helps remedy this large gap in Tibetan studies by drawing upon the author’s surveys of rock art and rock inscriptions conducted in upmost Tibet between 1995 and 2013. 

This is an open access title available under the terms of a CC BY-NC-ND 4.0 License. It is free to read, download and share on the BAR Digital platform.

The Western Han dynasty (202 BCE–9 CE) was a foundational period for the
artistic culture of ancient China, a fact particularly visible in the era’s
funerary art. Iconic forms of Chinese art such as dazzling suits of jade;
cavernous, rock-cut mountain tombs; fancifully ornate wall paintings; and
armies of miniature terracotta warriors were prepared for the tombs of the
elite during this period. Many of the finest objects of the Western Han have
been excavated from the tombs of kings, who administered local provinces on behalf of the emperors.

The rise and fall of microblade technology during the late Pleistocene and early Holocene is not only a part of the panorama of global microlithization, but also a key question linked to human adaptive change in the face of climate fluctuation. This monograph creatively uses Lewis Binford’s macroecological approach developed from his book Constructing Frames of Reference (2001) against both interglacial and glacial climate conditions, to provide an explanation of variation and change among late Pleistocene and early Holocene microblade-based industries in northeastern Asia.

Megaliths of the World, edited by Luc Laporte, Jean-Marc Large, Laurent Nespoulous, Chris Scarre, Tara Steimer-Herbet, brings together the latest research on megalithic monuments throughout the world. Many of these sites are well known, others less familiar, yet equally deserving of close attention.

This book by Evgenia Dammer is the first comprehensive study of the technological knowledge needed to produce Neolithic Majiayao-style pottery (5300-4000 cal yr BP) which is famous for its painted designs in black and red. It examines the technological choices in the production of fine and coarse Majiayao-style pottery found across three river valleys, all located near the border area of Chinese provinces Gansu and Qinghai.

This book by Evgenia Dammer is the first comprehensive study of the technological knowledge needed to produce Neolithic Majiayao-style pottery (5300-4000 cal yr BP) which is famous for its painted designs in black and red. It examines the technological choices in the production of fine and coarse Majiayao-style pottery found across three river valleys, all located near the border area of Chinese provinces Gansu and Qinghai.

This book by Evgenia Dammer is the first comprehensive study of the technological knowledge needed to produce Neolithic Majiayao-style pottery (5300-4000 cal yr BP) which is famous for its painted designs in black and red. It examines the technological choices in the production of fine and coarse Majiayao-style pottery found across three river valleys, all located near the border area of Chinese provinces Gansu and Qinghai.